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A default setting of collecting information is deemed not to be secure as it breaks one of the three pillars of security, specifically confidentiality. The user’s data is obtained and their confidentiality is not maintained as unauthorized individuals and companies may have access to their data. The user not being aware is a serious issue as in some cases it has been found that some smart toys that have cameras in the toy will record and store video of users in the cloud and stream video. This is cause for privacy concern issues.

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There is nothing wrong in using responsible and secure technology in a smart toy. But parents should research and understand what they are bringing into their home and what it means for your children.

If you use any of this technology, just take the time to think creatively about how the data collected could be used and if you are comfortable with others having access to this type of information. In many cases, people say they don’t mind until there is a breach and the data is used against them in some way they never imagined possible.

You need to understand the security and privacy risks as you understand the risk when letting your child cross a road on her own. You teach them how to do this safely and have precautions in place — for example, “look left, look right, and look left again.” The same precautions need to be in place when giving your child a smart toy to use and interact with.

It may be difficult for some parents to believe that by their child simply playing with toys such consequences are possible, but the risk is there. Data breaches are happening, and children’s (and parents’) sensitive data is being leaked and being used inappropriately. Photos, video, and voice data are all vulnerable. These toys are designed to monitor locations and sometimes the health of children and to analyze personal qualities and interact through conversation with children. They are meant to have a positive impact on the well-being of our kids, but there is a scary side that we need to do our best to avert so that we are able to protect our privacy and that of our children, too.

Photo credit: CloudPets

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Original Traveling Exhibition

February 07 – July 13, 2008
Barkley L. Hendricks, , 1975. Oil on canvas, 83.5 x 66 inches. Collection of the Nasher Museum of Art at Duke University. Museum purchase with additional funds provided by Jack Neely. Courtesy of the artist and Jack Shainman Gallery, NY.
Barkley L. Hendricks with his wife, Susan Hendricks, at the opening of

The Nasher Museum presented the first career retrospective of American artist Barkley L. Hendricks’ paintings, an exhibition featured on the cover of magazine and highlighted in magazine’s “The Vogue 25” cultural highlights of 2008.

opened at the Nasher Museum and traveled to the Studio Museum in Harlem, the Santa Monica Museum of Art in California, the Pennsylvania Academy of the Fine Arts in Philadelphia and the Contemporary Arts Museum Houston.

NEW HARDCOVER REISSUE

Birth of the Cool: Barkley Hendricks

The Nasher Museum presents the new hardcoverreissue of ,the exhibition catalogue published by the Nasher Museum on the occasion of the artist’s 2008 painting retrospective.This richly illustrated book was edited by curator Trevor Schoonmaker, who wrote the introductory essay, and includes contributions from Richard J. Powell, the John Spencer Bassett Professor of Art and Art History at Duke University, Thelma Golden, Director and Chief Curator at the Studio Museum in Harlem, and Franklin Sirmans, Director of the Pérez Art Museum Miami (PAMM). The catalogue is distributed by Duke University Press and available at the Nasher Museum Store . The hardcover reprint newly includes an in memoriam text and photographs by the artist, who passed away in 2017.

View Barkley L. Hendricks: Birth of the Cool
Featured Featured Video

Barkley L. Hendricks: Birth of the Cool

by Nasher Museum | Duration 06m 01s | Published

Bold Portrayals of Attitude Style

American artist Barkley L. Hendricks. Photo by J Caldwell.

Hendricks is best known for his life-size portraits of people of color from the urban Northeast; he elevates the common and overlooked person to celebrity status with bold portrayals of his subjects’ attitude and style. The exhibition included 57 paintings from 1964 to the present.

Hendricks was born in Philadelphia in 1945, studied at the Pennsylvania Academy of the Fine Arts and earned his bachelor’s and master’s degrees in fine arts from Yale University. He is professor emeritus of studio art at Connecticut College in New London, Conn., where he taught from 1972 until he retired in 2010. He passed away in 2017.

Trevor Schoonmaker, Chief Curator and Patsy R. and Raymond D. Nasher Curator of Contemporary Art at the Nasher Museum, organized the show and edited the 140-page catalogue.

The Nasher Museum’s collection has grown to include three paintings and three photographs by Hendricks.

The 2008 exhibition and related programs were sponsored in part by the Andy Warhol Foundation for the Visual Arts, Inc., the National Endowment for the Arts, which believes that a great nation deserves great art, the Mary Duke Biddle Foundation and the North Carolina Arts Council with funding from the State of North Carolina.

Barkley L. Hendricks, , 1975. Oil and acrylic on cotton canvas, 72 x 50 ½ inches. Collection of Dr. Kenneth Montague/The Wedge Collection. Courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, , 1976. Oil and magna on linen canvas, 72 x 50 ¼ inches. Courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, , 1969. Oil , acrylic and aluminum leaf on linen canvas, 59 ½ x 48 inches. Courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, , 2002. Oil and variegated leaf on canvas, wooden frame, armature, 66 3/4 x 46 3/4 inches. Image courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, , 1978. Oil and acrylic on linen canvas, 60 ¾ x 50 ¼ inches. Collection of the Butler Institute for American Art, Youngstown, OH. Courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, , 1982. Oil and combination leaf on linen canvas, 60 ¼ x 50 ¼ inches. Courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, , 1973. Oil and acrylic on linen canvas, 72 ¾ x 52 ¾ inches. Collection of Dr. and Mrs. Robert and Joan Clark, Philadelphia. Courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, , 1973. Oil and acrylic on linen canvas, 83 ½ x 66 inches. Courtesy of the artist and Jack Shainman Gallery, NY.

Barkley L. Hendricks, Bahsir (Robert Gowens) (1975) Oil and acrylic on canvas , 83 1/2 x 66 in. (212.1 x 167.6 cm).

More Information

Barkley L. Hendricks, Take All the Time You Need (Adrienne Hawkins) (1975) Oil on linen , 72 × 72 in. (182.9 × 182.9 cm).

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Barkley L. Hendricks, View from Behind the School (2000) Oil on linen , 22 x 22 in. (55.9 x 55.9 cm)Frame: 29 3/8 x 29 3/8 x 1 3/8 in. (74.6 x 74.6 x 3.5 cm).

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| Published February 24, 2009

View Barkley L. Hendricks: Works from the Collection

May 14 – July 30, 2017

The Nasher Museum presented Barkley L. Hendricks: Works from the Collection, at the entrance to Wilson Pavillion, as part ofThe Collection Galleries. American artist Barkley…

I have been given the monumental task of penning thoughts concerning my visits, residency, exhibition and homecoming to the Route 501 neighborhood. Monumental due to the many times I have visited and the special significance in my life of this area from southern Virginia down to Durham, N.C. Monumental because these visits cover a time span from my single-digit youth to just a couple of years ago. Monumental because of the very special place the Nasher Museum holds for me since the creative collaboration that became the Barkley L. Hendricks: Birth of the Cool exhibition, its accompanying programs and my subsequent artist residency at Duke. Kudos and profound thanks, yet again, to Trevor Schoonmaker for his pivotal role.

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